Over 20 notable film festivals from around the world including Cannes and Sundance have joined together to stream movies free on YouTube. —DE, François Ozon is no stranger to the Cannes Film Festival, having competed for the Palme d’Or with “Swimming Pool” and “Double Lover,” and he could’ve been back in the running for the festival’s top prize in 2020 with his new directorial effort “Summer of ’85.” Ozon is renowned for his fearless explorations of sexuality, and “Summer of ’85” is pure Ozon territory as it tells the story of a 16-year-old boy who capsizes off the coast of Normandy and is saved by an 18-year-old teenager. According to Fremaux, a record 2,067 features were up for consideration for the 2020 Cannes Film Festival, up from last year’s 1,845 films. (So if the festival actually happens this summer, it’s not off the table. Opening film – out of competition Les Fantômes d’Ismaël (dir: Arnaud Desplechin) Competition (BPM) Beats Per Minute (dir: Robin Campillo) The Beguiled (dir: Sofia Coppola) The Day After (dir: Hong Sang-soo) A Gentle Creature (dir: Sergei Loznitsa) Good Time (dirs: Benny & Josh Safdie) Happy End (dir: Michael Haneke) In the Fade (dir: Fatih Akin) Jupiter’s Moon (dir: Kornél Mundruczó) The Killing of a Sacred Deer (dir: Yo… Adapted from author AJ Finn’s 2018 potboiler, it was originally slated for an October 2019 awards season release, then moved to May 15 of this year, and then moved again into the ether as its fate — like so many movies right now — remains unknown. Sign up for our Email Newsletters here. These are the ingredients of the Cannes Film Festival – an annual showcase of the biggest and best new movies from esteemed filmmakers around the … Spanish film director and screenwriter Pedro Almodóvar was the President of the Jury for the festival and Italian actress Monica Bellucci hosted the opening and closing ceremonies. While many Cannes critics tend to ignore her work at the festival, Kawase’s allegorical fantasies have won plenty of fans over the years. The 73rd annual Cannes Film Festival was scheduled to take place from 12 to 23 May 2020. This Article is related to: Film and tagged Cannes, Christopher Nolan, Edgar Wright, Festivals, Wes Anderson. For a certain class of contemporary cinephile, a new Wright joint is always going to be an event, and while details remain slim on “Soho,” movie obsessive Wright has already let slip a few inspirations, naming other British horror films like “Don’t Look Now” and “Repulsion” as guide posts. Follow their news on social media via the #Cannes2020 hashtag and explore the 2020 SELECTION WEBSITE! The two boys became fast friends as Ozon tracks their budding relationship over the course of one summer. The film, which Hansen-Løve described to IndieWire as a story about “how film tends to replace my memories of what really happened,” has the potential to be something of a crossover arthouse hit for one of modern cinema’s most consistently brilliant auteurs, whose previous work (such as “Eden,” “Things to Come,” and “Goodbye First Love”) has found deep American fanbases despite limited distribution. One can only hope. Searchlight remains committed for now to opening “Dispatch” in theaters on July 24, so there’s still a chance it makes it to Cannes should the festival be postponed to late June. Other details are slim, but we know that “Soul” — which is also the rare Pixar feature focused on a person of color — will see Joe attempting to reunite his body and soul after learning some big lessons along the way. Production : GO GIGI GO PRODUCTIONS LLC - Distribution France : SONY PICTURES RELEASING, 9 JOURS A RAQQA by Xavier de Lauzanne - (France) - 1h30, ANTOINETTE DANS LES CÉVENNES by Caroline Vignal (France) - 1h35, Production : CHAPKA FILMS / LA FILMERIE - International Sales : PLAYTIME - French Distribution : DIAPHANA DISTRIBUTION, LES DEUX ALFRED by Bruno Podalydès (France) - 1h30, Production : WHY NOT PRODUCTIONS - French Distribution : UGC DISTRIBUTION, UN TRIOMPHE (The big hit) by Emmanuel Courcol (France) - 1h40, Production : AGAT FILMS & CIE - International Sales : MK2 FILMS - French Distribution : MEMENTO FILMS DISTRIBUTION, L’ORIGINE DU MONDE by Laurent Lafitte (France) - 1st film, Production : TRESOR FILMS - International Sales : STUDIO CANAL - French Distribution : STUDIO CANAL, LE DISCOURS by Laurent Tirard (France) - 1h27, Production : LES FILMS SUR MESURE - International Sales : CHARADES - French Distribution : LE PACTE, AYA TO MAJO (Earwig and the Witch) by Gorô Miyazaki (Japan) - 1h22, Production : NHK / NHK ENTERPRISES / STUDIO GHIBLI - International Sales : WILD BUNCH INTERNATIONAL, FLEE by Jonas Poher Rasmussen (Denmark) - 1h30, Production : FINAL CUT FOR REAL / SUN CREATURE STUDIO - International Sales : CINEPHIL, JOSEP by Aurel (France) - 1h20 - 1st film, Production : LES FILMS D'ICI - International Sales : THE PARTY FILM SALES - French Distribution : SOPHIE DULAC DISTRIBUTION, Production : PIXAR ANIMATION STUDIOS - French Distribution : THE WALT DISNEY COMPANY. The film wrapped in November of last year, and will still (presumably) find its way to a festival launch this year. Apichatpong Weerasethakul and Tilda Swinton, Weerasethakul’s movies are usually an acquired taste, but those willing to open themselves up to his singular vision are rewarded with truly unexpected ways of experiencing the modern world. Movies. —ZS. She tracks him down to the Cévennes mountains trail, but he’s long-gone, leaving only a donkey in his wake. That hasn’t changed, so time will tell whether this potential Cannes coup works out. Rohrwacher is one of international cinema’s most talented actors, most recently stealing the show in her sister’s film “Happy as Lazzaro,” and wowing as a moody muse in Luca Guadagnino’s short “The Staggering Girl,” making this appointment viewing for cinephiles. —KE, Despite its stature as the world’s most prestigious film festival, Cannes has long been unable to ignore the allure (and the marketing firepower) of big-budget animated offerings from the Hollywood set — this is a festival where both “Shrek” and “Shrek 2” didn’t just premiere, but did so in competition, after all — but it’s been able to marry artistry and studio sensibility when it comes to Pixar debuts. The Spanish Academy of Film Arts and Sciences announced this morning the films selected to compete for the # Goya2021 that will be held on March 6. Get The Latest IndieWire Alerts And Newsletters Delivered Directly To Your Inbox. See more hits from Cannes. Interviews with leading film and TV creators about their process and craft. Christopher Nolan is no stranger to Cannes buzz. Eleanor was a socialist activist with her own big ideas about how the world (and the government) should work. —EK. Ismael's Ghosts, directed by French director Arnaud Desplechin, was the opening film for the festival. Director: Sergei Loznitsa … It still could be if Cannes’ plan to delay the 2020 festival to late June holds, as Warner Bros. is opening “Tenet” in July. His much-hyped return to jet fuel-powered drama, “Top Gun: Maverick” boasts a stacked cast of both big names (Cruise! “Last Night in Soho” (Edgar Wright) Edgar Wright’s latest has been veiled in secrecy for months, but … Cannes loves movies about American society (especially impoverished American society) that use film language in exciting new ways, and the international profile sometimes helps clarify the talent at hand by pushing beyond the “documentary” moniker. —RL, French director Caroline Vignal first broke at Cannes Critics Week with her 2000 debut “Girlfriends,” but hasn’t directed anything in the past 20 years. The 72nd annual Cannes Film Festival took place from 14 to 25 May 2019. The filmmaker has described the movie as another dreamlike descent into a lyrical world just a few degrees removed from the real one, while still immersed in real places and people. —DE. Unfolding through home video material and poignant footage of understated moments in Rich’s personal struggle, “Time” transcends the traditional boundaries of socially conscious filmmaking to become an illuminating window into the intimate casualties of the American justice system. With Anouk Aimée, Rachel Bailit, Greta Scacchi, Maximilian Schell. A semi-autobiographical drama about a filmmaking couple (Mia Wasikowska and Anders Danielsen Lie) who retreat to Ingmar Bergman’s resting place in order to write their next scripts and then slowly lose sight of the line between fiction and reality, Mia Hansen-Løve’s “Bergman Island” has been at the top of our “most anticipated” list since the project was first announced with Greta Gerwig in the lead role. Technically the third installment of Yeon’s series (he also directed the iffy animated prequel “Seoul Station”), “Peninsula” is a larger-budgeted sequel that’s set four years after the original, and picks up the story after the walking dead have reduced most of Korea to an uninhabitable wasteland. Cannes film festival 2018: full list of films This article is more than 2 years old The official selection has been announced for the 71st Cannes film festival running 8-19 May. Based on a 2015 novel by Mizuki Tsujimura, the story follows a woman who adopts a child, only to be contacted by her baby’s birth mother. —ZS. Jeff Nichols? For a festival that loves stars, it would not have gotten better than the red carpet for “The French Dispatch”: Tilda Swinton, Bill Murray, Timothee Chalamet, Lea Seydoux, Benicio del Toro, Elisabeth Moss, Owen Wilson, Frances McDormand, and more. Donbass. Joe Wright’s “Rear Window”-style psychological thriller about the mental collapse of an agoraphobic, alcoholic psychologist (Amy Adams) has already endured many a pushback from Disney-owned 20th Century Studios. Moretti’s more recent films, from 2015’s “My Mother” to 2011’s “We Have a Pope,” bring humor to serious subject matter, often bringing a much needed lightness to a Croisette lined with heavy, heavy movies. However, due to the COVID-19 pandemic in France, festival management announced on 14 April 2020 that the festival could not be held in its "original form", with alternative means of observing the festival being explored. Award-winners and contenders from Cannes Film Festival (1992) Menu. Co-starring Julianne Moore and Jennifer Jason Leigh as are-they-or-aren’t-they doppelgangers taunting Adams’ Anna Fox after she witnesses a crime from behind the blinds of her New York City brownstone, the movie is already primed for controversy. Her followup feature, “Mon Roi,” a twisted love story starring Vincent Cassel and Emmanuelle Bercot, also competed in competition on the Croisette in 2015, earning Bercot Best Actress. Over the course of two decades behind the camera, Italian filmmaker Susanna Nicchiarelli has made complicated women her signature, moving from off-kilter coming-of-age tales like “Cosmonaut” to her beloved biopic “Nico, 1988.” Her next project appears to be a culmination of her cinematic obsessions: a fact-based drama about the life of Karl Marx’s whipsmart daughter Eleanor Marx that isn’t beholden to traditional biopic trappings. He followed that up with the daring 2013 Directors’ Fortnight opener “The Congress,” a blend of animation and live action so tapped into the scary potential of modern technology it has now looks downright prophetic. Shortening the gap between a potential Cannes world premiere and the film’s theatrical opening could increase its chances of world premiering at the festival, but Nolan remains unpredictable when it comes to festivals. Sign up for our Email Newsletters here. Who hears “zombie comedy” and foresees what “Shaun of the Dead” would become? Before you can say “The Bling Ring,” well yes: Some who have seen it are already making the comparison. —KE. Co-written by the screenwriter of “A Prophet” and starring Adjani, Maiwenn, and Rachida Bakri as its eponymous sisters, “Soeurs” finds Benguigui splitting her persona into three equal shards for a story about a filmmaker, a politician, and a businesswoman each navigate their relationships to their home and adopted countries. With “Mona Lisa and the Blood Moon,” Amirpour has lined up her biggest cast yet, including Kate Hudson, Craig Robinson, and Korean actress Jun Jong-Seo, the breakout supporting star of 2018’s Cannes sensation “Burning.”, With another original script from Amirpour, this time using the fantasy and adventure genres as her springboard, “Mona Lisa” turns on a young girl with magical and potentially volatile powers. Release Calendar DVD & Blu-ray Releases Top Rated Movies Most Popular Movies Browse Movies by Genre Top Box Office Showtimes & Tickets Showtimes & Tickets In Theaters Coming Soon Coming Soon Movie News India Movie Spotlight. The Palme d’Or (Golden Palm) was created in 1955 and was awarded until 1963 when it was replaced by a different award (the Grand Prix du Festival International du Film). But with such a young director behind the camera, if “The Hill Where the Lionesses Roar” really delivers on its potential, its festival positioning could turn Bajrami into the big breakout of the year, whenever it gets out there. Kawase is also the youngest winner of the Camera d’or for her feature “Suzaku” back in 1997, which she followed up with a Grand Prix award 10 years later for “The Mourning Forest.” In short, if Kawase has a film, Cannes is usually a safe bet for its launch. Cannes is notorious for disregarding non-fiction, but occasional documentaries sneak into the lineup, from Palme d’Or winner “Fahrenheit 9/11” to Oscar winner “Inside Job.” Even so, the potential for Garrett Bradley’s “Time” to surface at Cannes following its Sundance premiere held the aura of something different: The black-and-white chronicle of Fox Rich, who spent more than two decades trying to get her her husband released from a 60-year prison sentence, delivers a unique emotional experience from one of the most promising documentary directors to emerge this decade. —RL. But, like, fun, right? These directors only have so much in common, but — in the broadest of terms — their movies marry classical stylization with contemporary zeal. But a Cannes slot could give this hotly awaited film a chance to rise from the ashes, even after test screenings reportedly left focus groups uneasy over the film’s less-than-tidy resolution. 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