Easter Season Chorales Discussions: Easter Season Chorales, Sacred Songs: William Hoffman wrote (April 11, 2018): As Easter season approached in Leipzig in 1724, Bach began planning for cantatas for the Easter season while he finished composing the St. John Passion. Scholarship later indicated the chorale cantata cycle as Bach's second cycle of church cantatas. "Individually transmitted Choral Settings" in Vol. For most of the occasions that lack a cantata in the second cycle there are however extant chorale cantatas. [3], Some time after 1807 the manuscript passed to Christian Heinrich Rinck (1770–1846),[4] whose library was bought by Lowell Mason in 1852. [1] After Doles, who was Thomaskantor until 1789, the practice of performing Bach cantatas in Leipzig was interrupted until Kantor Müller started to revive some of them from 1803. [138] Wolff has proposed that the five unattributed works in the volume could also be by Johann Michael Bach—confidently in three cases, less so in the other two.[12]. Neither the second cantata cycle, nor the chorale cantata cycle are complete annual cycles as extant. CPDL was founded in December 1998, ported to ChoralWiki in August 2005, and incorporated in May 2010 as a U.S.A. 501 (c) (3) tax-exempt charitable organization. Title Composer Bach, Johann Sebastian: I-Catalogue Number I-Cat. Besides the four varied uses of the melody in Cantata 122, Bach blended or overlapped chorales from one season to the next. None [force assignment] Movements/Sections Mov'ts/Sec's: 389 chorale-settings Listing of Bach's Chorale Settings; First Pub lication. Bach, among other composers of his time. The important historical collections have their own collection pages, and only selected copies are here (371 chorales supervised by C.P.E. [147] In the 21st century facsimile renderings of the Neumeister manuscript became available on the Bach Digital website.[10]. When the manuscript was rediscovered at the Yale University in the 1980s it appeared to contain 31 previously unknown early chorale settings by Johann Sebastian Bach, which were added to the BWV catalogue as Nos. Johann Sebastian Bach 's earliest extant compositions, works for organ which he possibly wrote before his fifteenth birthday, include the chorales BWV 700, 724, … [146] The 2018 last two volumes of Breitkopf & Härtel (B&H)'s new Urtext edition of Bach's organ works included them in alphabetical order, that is, together with other chorale preludes transmitted independently of the collections collated by the composer. [3], Newly composed cantatas, to make the year cycle complete up to Trinity Sunday, were no longer in the chorale cantata format, possibly because Bach lost his librettist, likely Andreas Stübel, who died on 31 January 1725. 1090–1120, and published in 1985. Russell Stinson, "Some thoughts on Bach's Neumeister Chorales" in, This page was last edited on 21 October 2020, at 04:39. Johann Sebastian Bach 1589 Sacred Chorales 4 SATB Ich lasse dich nicht, du segnest mich denn, BWV Anh. No. The librettist of these cantatas is unknown, but is likely the same for all three. Sechs Chorale von verschiedener Art: auf einer Orgel mit 2 Clavieren und Pedal vorzuspielen (lit. The works form an encyclopedic collection of large-scale chorale preludes, in a variety of styles harking back to the previous century, that Bach gradually perfected during his career. [18] In the New Bach Edition cantatas were grouped by liturgical function (occasion), so also in that edition the chorale cantatas did not come out as a group or cycle. Chorale Preludes, BWV 714-765 (Bach, Johann Sebastian) This page is only for complete editions and multiple selections from the collection here. On Easter, 1 April 1725, Bach had two cantatas performed: There are three extant Bach cantatas premiered in the period from Easter Monday to the second Sunday after Easter 1725. [13] Like Spitta, Reginald Lane Poole (1882) and Charles Sanford Terry (1920) saw the chorale cantata as a development of the composer's later years, and failed to list more than a handful, leave alone a cycle, of such cantatas premiered between Trinity 1724 and Easter 1725 in their chronological lists of Bach's cantatas. [1] It has been suggested that the 77 earliest works in the collection may have been copied from a single source, possibly a Bach family album put together in J. S. Bach's early years. The Reformation Festival: BWV 80, 79", pp. Although he introduced no new forms, he enriched the prevailing German style with a robust contrapuntal technique, a control of harmonic and motivic organization from the smallest to the largest scales, and the adaptation of rhyth… Weighing both textual and stylistic evidence, he proposes Johann Michael Bach as the author of all five, while allowing that one could also have been written by J. S. Bach and another by Friedrich Wilhelm Zachow. [4], In 1724 the period of the Sundays after Trinity included St. John's Day (24 June), Visitation (2 July, that year coinciding with Trinity IV), St. Michael's Day (29 September) and Reformation Day (31 October). [4] The period from Advent 1724 to Epiphany 1725 included Christmas (25 December), New Year (1 January) and Epiphany (6 January):[3], In Leipzig concerted music was not allowed for the second to fourth Sunday of Advent (silent time), so the next cantatas in the cycle are those for Christmas:[3], In 1725 the next occasion was Epiphany, while there was no Sunday between New Year and Epiphany:[3], There were six Sundays between Epiphany and Lent in 1725:[3], The three last Sundays before Ash Wednesday are called Septuagesima, Sexagesima and Estomihi. The attribution of a few pieces in the manuscript remains uncertain:[10], From the state of the manuscript Wolff concludes that the five unattributed works were written by composers represented elsewhere in the collection, whose names were omitted by accident. [5] After satisfying themselves that the manuscript was genuine, they announced the discovery in December 1984. List of the Bach's Chorales settings, with different numberings. Four chorale cantatas use text and/or melody of a hymn in that early publication (BWV 2, 9, 38 and 117). ", US-NH LM 4708 (Ma21 Y11 A30) "Neumeister Collection", "Authentischer Bach-Elbel: Marginalie zu einem der angeblichen Bach-Choräle der Neumeister-Sammlung", p. 4, Johann Sebastian Bach: Neue Ausgabe sämtliche Werke, Journal of the American Musicological Society, Neumeister Chorales, BWV 1090–1120 (by J. S. Bach), International Music Score Library Project, Toccata and Fugue in D minor ("Dorian"), BWV 538, Fantasia and Fugue in G minor ("Great"), BWV 542, Prelude and Fugue in E minor ("Wedge"), BWV 548, Eight Short Preludes and Fugues, BWV 553–560, Toccata, Adagio and Fugue in C major, BWV 564, Prelude (Toccata) and Fugue in E major, BWV 566, Fantasia ("Pièce d'Orgue") in G major, BWV 572, Passacaglia and Fugue in C minor, BWV 582, Canonic Variations on "Vom Himmel hoch da komm' ich her", BWV 769, Capriccio on the departure of a beloved brother, Concerto transcriptions, BWV 592–596 and 972–987, List of compositions by Johann Sebastian Bach, List of fugal works by Johann Sebastian Bach, List of concertos by Johann Sebastian Bach, https://en.wikipedia.org/w/index.php?title=Neumeister_Collection&oldid=984627911, Chorale preludes by Johann Sebastian Bach, Articles with unsourced statements from July 2018, Articles with International Music Score Library Project links, Wikipedia articles with WorldCat-VIAF identifiers, Creative Commons Attribution-ShareAlike License, At least 24 by Johann Michael Bach (1648–1694), cousin and father-in-law of Johann Sebastian, Around 38 by Johann Sebastian Bach (1685–1750), Nine chorales were listed in the 1950 first edition of the. Even a merging of both cycles into one, with some occasions having two cantatas, which hardly can be seen as an intention of the composer, would still be missing a few cantatas (e.g. Bach Chorales (numerical) Most of these Musescore, PDF and audio files are derived from the MusicXML files created by Margaret Greentree. All extant church cantatas Bach composed for occasions from 11 June 1724 (Trinity I) to 25 March 1725 (Palm Sunday) are chorale cantatas. Some of these may have been intended for a wedding ceremony and/or as a generic cantata that could be used for any occasion. In the period following Johann Sebastian Bach's death in 1750, apart from the publication of The Art of Fugue in the early 1750s, the only further publications prior to the 1790s were the settings of Bach's four-part chorales.In 1758 Friedrich Wilhelm Marpurg was the first to start preparing a published edition of Bach's four-part chorales, but in 1763 was prevented by royal duties. In Leipzig the chorale cantatas were, after the motets, the second most often performed compositions of Bach between the composer's death and the Bach Revival. A Lutheran chorale is a musical setting of a Lutheran hymn, intended to be sung by a congregation in a German Protestant Church service. [148], The Bach chorales in the Neumeister Collection attracted the interest of organists even before they were published. They were first performed privately by Wilhelm Krumbach at Utrecht in January 1985, and publicly by John Ferris and Charles Krigbaum at Yale in March. In fact, the repertory of the German chorale may be said to have been completed in Bach's day. [2] The five works by Neumeister's own music teacher, Georg Andreas Sorge, were a later addition. Bach composed a further 13 cantatas in his second year at Leipzig, none of them chorale cantatas, although two of them became associated with the chorale cantata cycle. 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