1. “Satisfied,” the second of these tracks, even sounds more like the pop she would have made at Capitol. Includes Album Cover, Release Year, and User Reviews. No matter where you stand on the Liz Phair discography divide, ‘Why Can’t I?’ is an undeniable earworm that introduced the formidable singer-songwriter to an entirely new generation of fans. Only when she’s 30,000 feet in the air does Phair realise how small her ambitions are, though her “circumstance is movie-size”. ... Liz Phair is among several artists who participated in Twitter’s new # ... the follow-up to 2010’s Funstyle. The sub-Jewel alt-country move? With its long, extended instrumental intro of distorted guitars and crashing drums, it almost feels specially reserved for Phair’s loyal fanbase – which makes sense, considering the song had been gestating since 1999. Girly-Sound laid the foundation, as many of those four-track demos ended up on Exile In Guyville and other albums down the road. Actually, strip away the early-2000s ‘nu metal’ flavouring that was customary for radio rock at that time, and it’s 2003’s Liz Phair this album most resembles musically. Funstyle by Liz Phair album reviews & Metacritic score: Liz Phair left Capitol Records in 2008. With towering hooks and even bigger choruses, Phair rises to the occasion, even as she’s calling out indecisive lovers. No one has ever accused Liz Phair of not vocalising her needs. “Fuck And Run” (from Exile In Guyville, 1993) “Fuck And Run” is the quintessential Phair single; it … Universally adored by critics, the album established Phair as a confident songwriter who could craft individualistic pop songs with lyrical candour and sharp narrative detail. She's kind of done that already. As Phair’s poppier direction divided fans, most could acknowledge that her self-titled album featured some of her strongest vocal performances. By the time you reach the penultimate track on Exile In Guyville, Phair has spent the majority of the album taking aim at the snobbish alt.rock scene that grew out of Chicago’s Wicker Park neighbourhood, while simultaneously trying to earn her place in it. "Bollywood" is a song by American recording artist Liz Phair. The track then unfurls into a distorted knot of feedback as the memory gets fuzzier and fuzzier. Top Lyrics of 2011. Liz Phair Encourages Voting in New Voice Tweet Song Althea Legaspi 9/17/2020. Three songs all positioned as the record’s final tracks and all hinting at the breaking apart of Phair’s record contract is too much. And it's true--what Funstyle lacks in fuck-all-y'all formal purity it possesses in the flickers of songcraft she can't shake. "And He Slayed Her" has one terrific, furious line ("I mean, what kind of kid were you when you were a kid?/ What kind of man would do what you did?" Music video by Liz Phair performing Why Can't I?.#LizPhair #WhyCantI #Vevo It’s sad that these tracks obscure what decent, but largely anodyne songs that lurk on Funstyle, in particular “Miss September”, the sassy rock of “My My” and “And He Slayed Her”. On ‘Go West’, Phair is begrudgingly moving forward after “closing my eyes and my bank account”. Liz Phair was part of the second-wave of Riot Grrrl culture. Explain It To Me. It’s lo-fi, haunting and profound – everything that encapsulates the best Liz Phair songs. The pro forma kid-music album? Liz Phair (2003) Comeandgetit (2003; EP) Somebody's Miracle (2005) Funstyle (2010) Girlysound (2010; bonus compilation disc of demo songs to accompany the physical release of Funstyle) She's also famous for the Girly Sound (or Girlysound) tapes, which contain Liz's pre-1993 lo-fi demos. In 2019, Liz Phair dropped a new single, her first proper new release in almost a decade since 2010’s Funstyle. Bang! Even amid the Matrix-provided pop production of her self-titled album, Phair retains her feminist streak, asking if she can still be idolised if she’s an “average everyday sane psycho” who takes out the trash over fuzzed-out guitars. The pop-rock ballad remains her highest-charting single to date and proved that Phair could play the pop game, too. “There’s so many ways to f__k up a life/ I try to be original,” she sings with her customary self-effacing wit. Reuniting with producer Brad Wood, who was behind her string of classics – Exile In Guyville, Whip-Smart and Whitechocolatespaceegg – ‘Good Side’ offered a tantalising preview of Phair’s long-awaited seventh album. Much of Phair’s DIY background informed her guitar playing and signature vocals, but it also helped her develop her own idiosyncratic style of phrasing, as heard Whip-Smart’s closing kiss-off. Everyone's talking 'bout Elvis 'Cause it seems like the thing that we do Elvis is walking around listlessly Seems he can't even die if he wanted to Lyrics. Top Lyrics of 2010. Soap Star Joe. Maybe Funstyle will be liberating for her; maybe, as with Self Portrait, her deck-clearing exercise will let her shake off aspects of the way she's understood that she finds burdensome. If you happened to hear a chorus of teenaged girls singing expletives at the top of their lungs in 1993 like they were singing an Air Supply anthem, you know who to blame. It has some rough edges, but it's far more interesting than the two prior albums, both the industry's idea of what a Liz Phair … Exiled in adulthood, she confronts her younger self and asks if she made the right choices. Popular Song Lyrics. Phair may be diminutive in stature, but not in bravado, as she stares down her target on Exile In Guyville’s caustic opener. Liz was back to her old self-deprecating ways, but sonically the album took some detours, from the country twang of ‘Got My Own Thing’ to the Rolling Stones-leaning ‘Why I Lie’. The other is that they are not the particular flavors of horrible anybody would ever have guessed Phair would perpetrate. The Liz Phair that people can’t stop writing about and can’t stop listening to. Breaking out from the more structured (ok, downright rigid) pop of her past two albums, Liz Phair raps, chants, and bites back on her best effort since the '90s. Though a consummate songwriter, Liz Phair is best known for her pre-Lilith feminist leanings. ‘S__tloads Of Money’ originated from her Girly-Sound days, then later appeared on Whitechocolatespaceegg, with the same chorus but new verses. It's one of the most sought-after Alternative Rock bootlegs. … "You Should Know Me" is badly arranged, but it's the kind of uncertain, circling, not-quite-foursquare picking at an emotional scab she's always specialized in; "Oh, Bangladesh" never justifies its lyrical conceit or lax, doodly lead guitar, but it flatters her voice's odd contours. Fania Records: How A New York Label Took Salsa To The World, Pride Of The Opry: Charley Pride Makes Musical And Cultural History, ‘Here Come The Warm Jets’: Bathing In Brian Eno’s Genius. Required fields are marked *. Arguably, her most popular song is the pop-crossover song “Why Can’t…. Top Lyrics of 2009. With its snarling guitars and propulsive drums, ‘Jealousy’ found Phair graduating from her old garage-rock days. She released her latest batch of songs on the Internet in July 2010. Play on Napster. While many of her rarities, soundtrack cuts and two whole EPs’ worth of music are not on streaming services, many of the best Liz Phair songs are available and ripe for exploration. It's hard to avoid scavenging it for salvageable bits. Lyrics to 'Elvis Song' by Liz Phair. When she sings, “But when you said that I wasn’t worth talking to/I had to take your word on that,” it feels like a punch to the gut. Personally, I am a big fan of Somebody's Miracle, although I know a lot of people don't like Liz's later stuff, damning those albums as too commercial. As the lone radio single from Exile In Guyville, ‘Never Said’ served as Phair’s introduction to the world. Is that Liz Phair doing a power ballad, or Liz Phair parodying power ballads? Speaking of this album, Phair posted the following message on her website: Funstyle is musically diverse and a big step to the side from the more radio friendly material on Liz Phair and Somebody's Miracle. The only comparable album that comes to mind is Bob Dylan's 1970 double-middle-finger double-LP Self Portrait, on which he successfully alienated the audience that had been paying too much attention to him. 2:42 PREVIEW You Should Know Me. Some of it is organized almost like a play or script, with overlapping voices, etc. When “selling out” and “authenticity” were still terms that could make or break you in the indie world, Phair was already ahead of the curve with her mantra “It’s nice to be liked/But it’s better by far to get paid”. Suppressing her unique songwriting gifts to sound like a lesser Sheryl Crow clone? Liz Phair has returned from a five-year musical hiatus with Funstyle, an album that possesses a buttload of ammunition against the music industry and her ex-label Capitol Records.Phair … This brave persona breaks down over the course of the most sought-after Alternative Rock bootlegs after closing... 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