After 1988's brilliant but abrasive Surfer Rosa, the Pixies' sound couldn't get much more extreme. [60] Tim Rolston of The Daily Telegraph praised Doolittle as "a scintillating rock'n'roll album" and the Pixies' "finest half-hour so far". The middle of 1993, two years after the band's last album, Trompe le Monde, saw sales average 1,200 copies per week. During the recordings, Norton advised Francis to alter several songs; a noted example being "There Goes My Gun" which was originally intended as a much faster Hüsker Dü-style song. All tracks were written by Black Francis, except where noted. "[63] Producer Gil Norton usually receives much credit for the album's dynamic, and is sought by bands seeking a similar sound. [58], Reaction to Doolittle was positive in general, with the album garnering praise from several major music publications. Listen to Doolittle by Pixies on VIBBIDI - Browse every single Songs, Tracklists, Music Videos, Remixes, Fan Covers, Live Performances, Tours, Playlists, Lyrics, Narrative Stories, News & more for free! The album has been cited as inspirational by many alternative artists, while numerous music publications have ranked it as one of the most influential albums ever. “Wave of Mutilation” has a chorus worthy of a power-pop classic, but it has a deceptively complicated arrangement, with swells in volume and tricky stops and starts. Fellow alternative musician PJ Harvey was "in awe" of "I Bleed" and "Tame", and described Francis' writing as "amazing". This background was to be an influence in Doolittle, where he referred to the Devil being "six" and God being "seven" in "Monkey Gone to Heaven". He wrote and sang all the original material on the Pixies' two subsequent albums; 1990's Bossanova and 1991's Trompe le Monde (both produced by Norton and mixed by Haigler). Rating: 100/100. NME writer Edwin Pouncey commented that "the songs on Doolittle have the power to make you literally jump out of your skin with excitement". The prostitutes of "Mr. Grieves", "Tame", and "Hey" share space with the Biblical analogies of "Dead" and "Gouge Away". [34], The surrealist and abstract images throughout the album booklet are linked to the album's content. I recently read an interview with the director David Lynch who said he had ideas and images but that he didn't know exactly what they meant. 15 tracks (38:36). In 1989, Francis expressed his interest in surrealism and its influence on his songwriting method to The New York Times by stating "I got into avant-garde movies and Surrealism as an escape from reality. They are fantastically raw and all of the instruments are just sublime to listen to! Their Elektra debut, Doolittle, reins in the noise in favor of pop songcraft and accessibility. [23], The album's opening track "Debaser" references surrealism, a theme that runs throughout the album. Why is Pixies’ Doolittle so famous. [14] He told Norton, "If it's good enough for Buddy Holly ..."[15] In a Rolling Stone interview, Francis later recalled that "this record is him trying to make us, shall I say, commercial, and us trying to remain somewhat grungy". [57] As of 2015, sales in the United States have exceeded 834,000 copies, according to Nielsen SoundScan. Doolittle (Vinyl): Pixies: Amazon.ca: Music. [8] After completing the demo tape, band manager Ken Goes suggested two producers for the album; Liverpudlian Gil Norton and American Ed Stasium. Doolittle brought the Pixies a wider audience by countering every unusual turn with a moment of sweetness. According to Larbalestier, this "made a fundamental difference". Grieves." Doolittle is an amazing sounding album, which is one of the things I love about the Pixies, it's just got a sound unlike any other band out there. The influence of the songs has been tremendous. Rated #2 in the best albums of 1989, and #36 of all-time album.. Skip to main content.ca Try Prime Hello, Sign in. Listening to any Pixies record is akin to entering a disturbing and disconcerting fairytale book, and even the most tuneful songs on Doolittle threaten to take a sudden malevolent turn. In direct contrast to the fractured sonic style the band became known for, this is a relatively straightforward composition: verse, chorus, verse, chorus and all over within 3 minutes 30. Released 17 April 1989 on 4AD (catalog no. Doolittle is the sophomore effort from the Boston-based indie rock band The Pixies. [41] This chart placing was an unexpected success for the band as their previous two records, Come On Pilgrim and Surfer Rosa, had failed to reach as high on the British charts.[42]. Larbalestier later commented that he was interested in "early Surrealist stuff" at this time. This culminated at the end of the US post-Doolittle "Fuck or Fight" tour, where they were too tired to attend the end-of-tour party. [59] The album was also included in the book 1001 Albums You Must Hear Before You Die. Meanwhile, "Tame" and "I Bleed" continue the band's penchant for cryptic kink. Thankfully, it’s an album—a one-of-a-kind masterpiece Pixies never quite matched. Doolittle is an amazing sounding album, which is one of the things I love about the Pixies, it's just got a sound unlike any other band out there. The Pixies' arty, noisy weirdness mix with just enough hooks to produce gleefully demented singles like "Debaser," -- inspired by Bunuel's classic surrealist short Un Chien Andalou -- and "Wave of Mutilation," their surfy ode to driving a car into the sea. "Gouge Away" is represented by a picture of a spoon containing hair, laid across a woman's torso; a direct pictorial representation of heroin, with the spoon and the hair being horses. The sessions lasted three weeks, concluding on November 23,[11] with "nearly a song a day" being recorded. 1.) Genres: Alternative Rock, Indie Rock. Francis gave the demo tape and upcoming album the provisional title of Whore, though he later claimed his natural father had originally suggested the name. Doolittle was certified gold by the Recording Industry Association of America in 1995. Choosing just 10 tunes from that larder of awesomeness was torture, but it … Though Doolittle's sound is cleaner and smoother than the Pixies' earlier albums, there are still plenty of weird, abrasive vignettes: the blankly psychotic "There Goes My Gun," "Crackity Jones," a song about a crazy roommate Francis had in Puerto Rico, and the nihilistic finale "Gouge Away." Songs can’t just be 1 + 1 = 2, you know? During this time Black Francis, the group's frontman and principal songwriter, began to write new material for a future album, with songs such as "Dead", "Hey", "Tame", and "There Goes My Gun" emerging through the course of the year. A fun, freaky alternative to most other late-'80s college rock, it's easy to see why the album made the Pixies into underground rock stars. Soon afterwards, the band announced that they were taking a break. 1 + 1 = bran muffin." However, at Norton's advice, Francis slowed down the tempo. Pixies - Doolittle album review #23 Evaluated by Claude Lemaire. The Pixies' management sought international distribution; and while negotiations with Elektra and other record companies began in the third quarter of 1988, they were only completed just two weeks before Doolittle's release on April 2, 1989. Music . Pixies released two singles from Doolittle, "Here Comes Your Man" and "Monkey Gone to Heaven", both of which were chart successes on the US chart for Modern Rock Tracks. Though Doolittle's sound is cleaner and smoother than the Pixies' earlier albums, there are still plenty of weird, abrasive vignettes: the blankly psychotic "There Goes My Gun," "Crackity Jones," a song about a crazy roommate Francis had in Puerto Rico, and the nihilistic finale "Gouge Away." [34], During the recording sessions, Whore was discarded as a potential album title, after Oliver changed the cover artwork idea to a monkey and halo cover. [61] Several other publications ran positive reviews of the album, including the British music weekly Record Mirror, The Philadelphia Inquirer, the Los Angeles Times, and the Chicago Tribune. [41][43] It was not the last single from the album: in 1997, "Debaser" was released as a single to promote the Death to the Pixies compilation. [55], Some reviewers were more critical. Listen free to Pixies – Doolittle (Debaser, Tame and more). Norton was hired as producer, with Stasium not even approached for the position. "Hey" and "Monkey Gone to Heaven," on the other hand, stretch Francis' lyrical horizons: "Monkey"'s elliptical environmentalism and "Hey"'s twisted longing are the Pixies' versions of message songs and romantic ballads. [16] Production continued until December 12, 1988, with Norton and Haigler adding extra effects, including gated reverb to the mix. The album's offbeat and dark subject material, featuring references to surrealism, Biblical violence, torture and death, contrasts with the clean production sound achieved by the newly hired producer Gil Norton. [62], The sudden loud to quiet dynamic present on Doolittle, most notably in "Tame", has been very influential on alternative rock. Elektra followed by releasing a live promotional album, which contained two songs from their forthcoming album, "Debaser" and "Gouge Away", along with a selection of earlier material. The songs all run in a similar vain sound wise (not a bad thing by the way!) During this time Black Francis, the group's frontman and principal songwriter, began to write new material for a future album, with songs such as "Dead", "Hey", "Tame", and "There Goes My Gun" emerging through the course of the year. At the end of 2005, best estimates put total sales in America at between 800,000 and one million copies. The bass riff in the beginning is fast as are the drums. Doolittle, an Album by Pixies. [60] Doolittle appeared on several end-of-year "Best Album" lists; both Rolling Stone and The Village Voice placed the album tenth, and independent music magazines Sounds and Melody Maker both ranked the album as the second-best of the year. Doolittle features an eclectic mix of musical styles. “Wave of Mutilation” has a chorus worthy of a power-pop classic, but it has a deceptively complicated arrangement, with swells in volume and tricky stops and starts. Other songs explored eccentric subjects, such as in "Wave of Mutilation", which Francis described as being about "Japanese businessmen doing murder-suicides with their families because they'd failed in business, and they're driving off a pier into the ocean. (Available for shows in United States, United Kingdom, Ireland, Germany & Spain). Along with Norton, two assistant recording engineers and two second assistants were assigned to the project. [30] "Crackity Jones" covers another offbeat subject; Francis' roommate in his student exchange trip to San Juan, Puerto Rico, who he described as a "weird psycho gay roommate".[31]. Doolittle was the Pixies' first international release, with Elektra Records as the album's distributor in the United States and PolyGram in Canada. Eventually, Francis took Norton to a record store, where he handed him a copy of Buddy Holly's Greatest Hits, in which most of the songs are about two minutes long. That's how I write."[25]. Versions of the newly composed songs were recorded during … "La La Love You", sung by the band's drummer David Lovering, is a love song—though with its "first base, second base, third base, home run" break, it's been referred to as "a dig at the very idea of a love song". The band headed to the Boston recording studio Eden Sound, which at the time comprised a small room in the basement of a hair salon. CAD 905 CD; CD). Doolittle is the second studio album by the American alternative rock band Pixies, released in April 1989 on 4AD. [64] The Smashing Pumpkins guitarist James Iha described Doolittle as less raw than Surfer Rosa but "more listenable" and "Here Comes Your Man" as a "classic pop record". Debaser: A great opening track to a wonderful album. We’d never done that before, and some great songs came out of it, in fact. "Monkey Gone to Heaven" deals with man's destruction of the ocean and "confusion of man's place in the universe". [68] Exhaustion from touring and from releasing three records in two years contributed to the friction. This was a modest sum for a 1980s major label album; however, it quadrupled the amount spent on the band's previous album, Surfer Rosa. In June 1989, 4AD released "Here Comes Your Man" as the album's second single. Genres: Alternative Rock, Indie Rock. Francis had no preference, although Ivo Watts-Russell, head of the band's label 4AD, wanted Norton to produce the next album. PolyGram had already secured Canadian distribution rights by that time. While tracks such as "Tame" and "Crackity Jones" are fast and aggressive, and incorporate the band's trademark loud–quiet dynamic,[18] other songs such as "Silver", "I Bleed", and "Here Comes Your Man" reveal a quieter, slower and more melodic temperament. During production, Haigler and Norton added layers of guitars and vocals to songs, including overdubbed guitars on "Debaser" and double tracking vocals on "Wave of Mutilation". Doolittle also references more ostensibly conventional subjects. [37], In the months following Surfer Rosa, the Pixies' management fielded calls from a number of labels. Things get flushed and repurified or decomposed and it's this big, dark, mysterious place. Discover releases, reviews, credits, songs, and more about Pixies - Doolittle at Discogs. [69], After they reconvened in 1990, Francis began to limit Deal's contributions to the band. [19] With Doolittle, the band began to incorporate further instruments into their sound; for instance, "Monkey Gone to Heaven" features two violins and two cellos. [38], Doolittle was released in the United Kingdom on April 17, 1989, and in the United States the following day. Genres: Alternative Rock, Indie Rock, Noise Pop. 4AD, then a small British independent record label, held worldwide distribution rights to the Pixies, but did not have access to distribution outside of the United Kingdom; the band had had to import all its previous records from Europe. [59] Robert Christgau of The Village Voice wrote, "They're in love and they don't know why—with rock and roll, which is heartening in a time when so many college dropouts have lost touch with the verities". But the album doesn't just refine the Pixies' sound; they also expand their range on the brooding, wannabe spaghetti western theme "Silver" and the strangely theatrical "Mr. They recorded at the studio for a week, in circumstances similar to the previous year's the Purple Tape sessions. Very upbeat and fun. The band relocated to Carriage House Studios, a residential studio in Stamford, Connecticut, to oversee production and record further tracks. The ingredients that make up the band and their songwriting have been replicated countless times. "Walking with the Crustaceans" is a visual representation of the lyrics to "Wave of Mutilation". [12], Production and mixing began on November 28. [71] Doolittle has received a number of international accolades and is consistently noted as one of the best albums of the 1980s in any genre. Account & Lists Sign in Account & Lists Returns & Orders. Pixies’ Doolittle at 30: How songs about suicide, psychopaths and mutilated eyeballs sparked a new rock generation. [40] In Britain, the record reached number eight on the UK Album Chart. 4AD allowed the Pixies a budget of $40,000, excluding producer's fees. It reached number three on the US Modern Rock Tracks chart and number 56 in the UK Singles Chart. By early 1992, while the band were supporting U2 on their Zoo TV Tour, the album was selling 1,500 copies per week. To celebrate the 25th anniversary of the album, 4AD announced that a deluxe edition of the album, titled Doolittle 25, was to be released January 12, 2015, containing unreleased B-sides, demos, and two full Peel sessions. [4], Following their highly regarded but commercially unsuccessful 1988 album Surfer Rosa,[5] the band embarked on a European tour with fellow Bostonians Throwing Muses, before beginning a tour of North American states. 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