There's a looot I didn't touch on, but hopefully this ramble/rundown can give you enough keywords to toss into google for a while of musical learning and merriment! When I thought I understood those things, at least, if not their context? Essentially, it describes rules determining how chords are related in a progression. This two-bar ending works because of the strong tendency of a leading tone to resolve to its tonic, and the clearly written strong root movement in the bass (V-I). what makes music, structured arrange of melody harmony and rythm or expression? Does that make sense? Secondary Diminished In real life, actual lines may do more than simply move up and down the scale between members of a triad -- but when they do, we understand such cases as being detours from (or in some instances abbreviations of) a more fundamental scalar ascent or descent. Sour Girl Shapes Of Things July 2019 If so when? It's a straight-forward, textbook example. In this article I examine several of Hancock's compositions written and recorded during the 1960s, pointing out Hancock's compositional approaches and innovations against the backdrop of standard functional harmony and modal harmony. It's the Riemannian one (let's give blame where blame is due...). Milli Vanilli Mandocello ), iii Phrygian: ? Functional harmony, as I was taught, are those chords which actually propel the music to target destinations, i.e., IV, V and back to I (in a Major key). this can be a challenge given our tendency from being accustomed to tonal cadences pointing to tonic function as home almost automatically. In Audacious Euphony, author Richard Cohn takes both of these views to task, arguing that romantic harmony operates under syntactic principles distinct from those that underlie classical tonality, but no less susceptible to systematic ... functional music are only apparently harmonic, and can be explained at a deeper level by contrapuntal principles. It is important for it to be from the "lower rung" of chords (in relation to I) so it creates the effect of motion towards the V-I cadence. Not like you HAVE to help me out. Meter Do you just have to use the same chords, and make it more major? "voices", or horizontal melodic successions. functional harmony is a tool in the study of what we call tonal music, not the music itself. Jimmy Nash That's dang frustrating, and I've put a lot of thought into this. Dazed And Confused C is clearly the note being emphasized here! It's been explained to me in terms of how the third degree lends to a strong Tonic, the fourth resolving to the third for the subdominant, and the seventh for the leading tone and therefore dominant sound. But! Cmaj and Amin are the only triads that contain C and E and not F or B. its not always like this by the way, the harmonic minor scale (ABCDEFG#) has only one tonal mode; on Amin. Most music you listen to is called tonal music. Basic Tonal Harmony All graduate music students are expected to demonstrate a competency with the basics of tonal harmony (including functional chromaticism). Nothing else in the first four bars provides as satisfying a resolution, because all of the subsequent resolutions are either complicated . Size: 303.4 MB. Example 3 Functional Harmony Bring It On Home Intended for amateurs and professionals, concert-goers and conductors, Helm offers in down-to-earth language an explanation of the foundations of our Western music heritage, deepening our understanding and the listening experience of it for ... Do you just have to use the same chords, and make it more major? And how do you use it for minor keys? Some of the most popular chords in music will use at least three notes. Just feels like unanswerable question + overwhelming answer to me. I dunno how to say it. A lot of rock and pop music doesn't. You might as well call it V - I … I've just had a LOT of trouble with having literally no response. You can find the cadence of a piece of music by using roman numeral analysis, which you can read about in this article. But I'm not too confident in my understanding, so if you'll humor me a bit... Maybe I can just explain what I understand, and you can help me fill it in? "Functional harmony" is not a good concept. And further, how/why does that work for minor and other modes? The better you understand functional harmony, the better you'll understand jazz standards… For a refresher on functional harmony and how this process is applied to major harmony, make sure to read through this lesson on harmonizing major scales and creating major harmony before you get into how to do this with minor. The focus of the Viennese Theory is the scale degrees. This makes you miss out on of the most exciting parts of Theory: Form. Theoretically?) B-side features a remix by NFS themselves, adhering to Matthew Herbert's 'Personal Contract for the Compostion of Music [Incorporating the Manifesto of . Led Zeppelin IV (album) Tritones are the star of the dominant 7th show, which is why V usually leads to I. Functional Harmony, as explained to me by my Theory professor at the Crane School of Music, is the practice of "Everything has a purpose [Function], and all of it leads … Akkord Danske den Der film film music Functional giver harmony how to write music Lesson Music music class music lesson music theory Musik nyeste theory video game music Websted. Many theorists from Rameau to Schoenberg and Piston have attempted to analyse chord … ...as a request more than an expectation. Therefore, the concept of harmonic function takes a chord or a note and describes how it works in a melody or in a chord progression. (Note that I am ignoring chromaticism for simplicity.). But I've tried to make a few tables based on that concept. Whole Lotta Love DescriptionA: When learning music theory, most people start with scales, frets and chords and then kind of … stop. Major chord that would otherwise be the tonic of the parallel major. In the German “Function Theory”, the primary harmonic model follows the path tonic ⇨ subdominant ⇨ dominant ⇨ tonic (or I ⇨ IV ⇨ V ⇨I in scale degrees). the viihdim7 is the same but reverse, mostly subdominant (4,6) with some dominant (7). And it wants to resolve a certain way back to that home tonal center. Christopher Doll Our brain hears the melody in relation to the local tonal center of F for one bar, but we still remember that C is the real tonal center and expect to return to it at some point. Functional harmony is the basis for all classical, and the majority of romantic harmony. "functional harmony"). In mathematics, a function is how you describe the role that a particular variable plays in the creation of a larger mathematical unit. Houses Of The Holy (song) In analyzing and understanding a piece; or in building a piece? Very good content. Basically, the three essential functions in tonal harmony are the Predominant, most often a two (ii) or four (IV) chord; then the Dominant, almost always a five (V) chord; and then the Tonic, always the one chord (I). It reflects an attempt to understand music in terms of a "syntax" of chord successions, which is fundamentally a fool's errand because that simply isn't what music is actually made of, conceptually. as for each scale degree having its own function; well it can kindof work like that, but it's ambiguous... and i've seen multiple ways to categorise them and it really depends... if you think about it, all the chords with include 4,6 are considered subdominant, that being ii, IV and (vii). Seventh, ninth,… chords take digit qualifiers . And 2: How does that apply to minor and other modes? Country He has a PhD in Music from the University of Surrey, and he has composed music that has been played in three different countries. These detours take the form of "reaching into" other lines that are conceived of as sounding concurrently; thus we assume an implicit polyphony of lines, even in the case of a single actual line, provided it does anything more complicated than ascend or descend the diatonic scale. Opera. It is these that are combined vertically in specific ways -- rather than vertical simultaneities ("chords") being combined horizontally in specific ways, as chord theory supposes. Welcome To The Machine that C# is the leading tone to our tonal center, D. So it doesn't behave like a normal major third (especially over the dominant!) Here is the same scale as above, but underneath each note is the function that chord can provide (some of them have two) – T for tonic, D for dominant and S for subdominant. Hence, a C major chord reinforces C as the tonal center. I'm not really even sure what I'm looking for. Cheap Trick Some of the most popular chords in music will use at least three notes. The fourth letter, gamma (δ) represents pre-prepretonic function. Stone Temple Pilots Diminished chord. I guess here's the homework I've been working on, to try and work through the problem. Tonal harmony is the 'standard' music theory that you learn through your Classical music studies. Beatles Let's just go through the scale degrees. … You may have noticed the III chord is listed in both the tonic and dominant lists, and it can function as either, depending on how it is used in the music. Willie Dixon What Becoems Of The Brokenhearted According to those who created this Theory, each specific scale degree has its own function and they all relate to the tonic in a different way. This makes a really nice pattern as they get more minor, as you can see. Steve Marriott Speaking of confirming keys, we now have all the puzzle parts to explain a cadence in major! Student Resources: Companion Website with Downloadable Workbook Sections: http://textbooks.rowman.com/stone Additional Features: complete curriculum for first-year theory courses over 500 musical examples drawn from Common Practice Era ... In this way, the same progression can be analyzed the same by both theories. Functional Harmony is a way of thinking about the purpose of chords - both in relation to each other, and to a main harmony. Chord Function: Music Theory Fundamentals You Need To Know. iv = Subdominant. So, learn the basics for wikipedia or the reddit wiki, then read this, if you have more questions https://www.amazon.com/Genesis-Music-Account-Creative-Fulfillments/dp/030680106X this is also good https://www.amazon.com/Foundations-Diatonic-Theory-Mathematically-Fundamentals/dp/0810862131. This is a big deal, as it frees us as musicians. I'll note, finally, that the following is something I am inclined to endorse: So I've kind of come to equate each scale degree's respective chord with its respective mode; Indeed, you would, on my view, be better off thinking about the mode instead of the chord. Instead, you have to have some idea of words, of grammar, of sentence structure, of parts of speech. Now, it is this fundamental scalar ascent or descent underlying a line (and, by the way, descent can ultimately be understood as more basic than ascent, though that need not concern us at the moment) that is actually responsible for the senses of "directionality", "functionality", and "motion" that is traditionally (and erroneously) attributed to the "syntax" of "chord progressions" (a.k.a. But it's cool to mention that, because I think maybe that's part of why it doesn't make sense - because to my natural ear, I think in lines and counter-lines, not chords. Non-functional harmony omits many traditional harmonic concepts and transcends them. How does that change the rest of the song? The same is true for the concept of Harmonic Function – it helps us understand how a chord is used in a chord progression, or how a note works in particular melody. Book and CD. There's a reason Mozart used ii6-V7-I so much to "confirm" keys. I dunno. Definition of functional harmony : a theory of tonal music that regards all harmonies as functioning as essentially tonic, dominant, or subdominant harmony In Riemann's … ii = Supertonic. June 2019 When collections of tones move in parallel motion, we hear it. February 2018, All Overturning the inherited belief that popular music is unrefined, Form as Harmony in Rock Music brings the process-based approach of classical theorists to popular music scholarship. However, it never acts alone. How does the new tonal center relate to the one before? May 2019 As you know, in tonal music, there's always a global tonal center, sometimes referred to as the key or tonic of a piece of music. We assess this through four voice partwriting to a given figured bass, harmonization of a simple diatonic melody, and harmonic function analysis using standard Roman numerals to indicate chord function. This makes you miss out on the most exciting parts of Theory: Form. Its identifying feature is a recurring melody section that returns multiple times, interspersed with contrasting sections. In this course we're going to check out not only those all important scales and chords, but also Functional Harmony, which is a system that categorises Chords into . At this point, it is important to note that definitions of functional … So, functional harmony goes through the cycle of creating and releasing tension and as a result we have stable and unstable moments that vary in different degrees of intensity. Linkin Park Is it moving from the tonic to somewhere else or leading back to it? I want to know why I'm putting what where; because my 'by ear' method I've used until now is breaking down in its usefulness. The fifth letter, epsilon (ε) represents pre-preprepretonic function. Harmonic functions. I've bolded the two intervals that set it apart from its neighbors; and this (theoretically?) You can find some patterns that way, but those patterns won't be universal, and their very non-universality is an indication that they are mere epiphenomena of the true underlying processes. Organic Development But we already accepted C as our tonal center and since it is played for 3 entire bars, the one bar of F is seen as a local tonal center, a short deviation from home. The Music Is Based On The Major And Minor Scales. It's actually very useful, if the music you're working with follows its specific rules. Either pitch in a tritone can be treated as a leading tone going to its tonic, or a 4th that needs to go to its third, allowing it to "expand" or "close in on itself" successfully. C and E are the tonic notes. I like to think of functional harmony as a kind of cheatsheet or framework to analyze and create a very specific kind of music. For example, in a simple two-voice contrapuntal texture, pitches resolve down for the most part (see: 4th species counterpoint). A subreddit for people who care about composition, cognition, harmony, scales, counterpoint, melody, logic, math, structure, notation, and also the overall history and appreciation of music. Press J to jump to the feed. ii and iii are now your primary subdomiant and dominant, and IV and V are your relatives. Meteora In this course we're going to check out not only those all important scales and chords, but also Functional Harmony, which is a . Non-Functional Harmony. the 2nd degree is actually an odd-ball. When there's an order to the madness that can be heard directionally, we can pick that up. Schönberg's Structural Functions of Harmony, which, while it uses the word "function" in the title is not primarily functionally based, but does use a more functional definition of tonality and has a number of Tonnetz-type diagrams. Los Lonely Boys On the other axis, I wanted to at least list which modes had a dom/sub/tonic function just to compare? It's this strategic use of tonic, dominant and other chords to create expectations and resolving them when appropriate. George Harrison I've heard a few "You're missing the basics" statements, that leads to those oversimple, where-do-I-even-go 'Go get some some knowledge' tasks. To me, Music theory is something that I can use to tell me how chords sound and how they move in the jazz standards and tonal songs that I play. Lyric soprano. or it becomes noise? However, the triad can be derived simply from the requirement that points of stability be as numerous as possible without any two of them being step-related to each other (in pitch-class space, i.e. There is a tritone between the root and fifth that close in on the root and third of III, so it can go back to the major mode easily. Harmony can refer to the arrangement of the individual pitches in a chord as well as the overall chord structure of a piece of music. Rhythmic Displacement There is one more type of minor scale, and that is the melodic minor scale. ), or whatever of each chord that tells you what it's strongest function is? I think /u/komponisto is absolutely right. This creates an augmented chord on III, which ruins the whole "I" feel a lot. Here's the interesting part: You can also reinforce a specific note by playing a chord underneath the melody. I like to think of functional harmony as a kind of cheatsheet or framework to analyze and create a very specific kind of music. March 2018 Coloratura soprano. And how can I do it myself? At this point, it is important to note that definitions of functional harmony always change, and develop (from baroque style counterpoint to Schoenberg's twelve tone music). (Plus 7ths on top of that, etc, but then you get into chord stacking and such.) most music has a particular note called the … for modes; i wont go into it too long for now but, basically, "the modes" don't have definitive tonic function; the reason the primary modes of the diatonic scale are Cmaj and Amin are because those are the two triads with unambigous tonic function (with Emin and Fmaj having SOME tonic function, but disturbed by some dom/sub respectively). I know the basics from AP music theory years ago, and I've done a bunch of self-studies from the internet and such sincee. If so, is it the 4th or 6th that matters for Subdominant functions?" the melodic minor scale (ABCDEF#G#) has two tonal modes, one an Amin and one on Emaj. But the concept of harmony in … In the Degree Theory harmonic progression, iii ⇨ vi ⇨ ii ⇨ V ⇨ I, the first two chords (iii and vi) can function as the tonic, the ii would be the subdominant, the V would be the dominant and the I would be back to the tonic. Non-functional harmony omits many traditional harmonic concepts and transcends them. There are excellent articles. Published by Advance Music (AP.1-ADV11225). If a song is in E Maj, then the note E and the E Maj chord are the tonic. I'm digging myself a hole here. The three most important functions are: The Tonic; can either be or feel very stable, and generally is the final chord of a piece of music or a section Harmony Hexatonic Pole one situation where you can mess with this, is in lydian and phrygian; by using their counter-parallel tonic function to minor and major respectively... (IV as vi substitute, iii as I substitute), with that you can at least fudge a half resolution (tritone->fifth) rather than (tritone->maj3). Moving out of the Mozartean world I've laid out, composers have historically created their own order to harmony, consistently pushing the envelope. 4ths resolve down to a third, minor sevenths resolve down to a 6th, the list goes on. V-I has not the same power without a IV or ii preceeding it. C->G->D (dom), C->F->A->D (sub), in just tuning these would be (9/8) and (10/9) respectively and are really seperate; it is one or the other, but not both. In Tonal Harmony (otherwise known as functional harmony), we think of chords as having functions: tonic, dominant, and predominant. Tragedy April 2018 Mixolydian flavor or a VERY easy way to get back to major (in a minor, this would be G). Interestingly has an "opposite" kind of emotional pull that a IV does. However, in the Viennese “Degree Theory”, the primary harmonic progression follows the Circle of Fifths, which can go tonic ⇨ subdominant ⇨ leading tone ⇨ mediant ⇨ submediant ⇨ supertonic ⇨ dominant ⇨ tonic, or I ⇨ IV ⇨ VII ⇨ III ⇨ VI ⇨ II ⇨ V ⇨ I. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. This tonal center can be 'created' by emphasizing a certain note (and its overtones) in the melody or rhythm. So in practice, thinking in tonal centers and melodic/harmonic lines makes sense to me. Any system that doesn't fit the tension and release cycle that is pervasive in functional harmony cadences is called non-functional … The Rachmaninoff passage turns out to be difficult because it is the result of several different elaborative processes interacting simultaneously.^Once these are unraveled, however, the particulars of the surface-level harmony become much ... Quite frankly, it is not always possible nor senseful to distinguish between those . α, V (e) is β, bVII (G) is γ, and bIII (C) is δ. α - that will not change from one progression to another. That doesn't mean that functional harmony isn't useful. But, before we talk about these functions we’ll cover how we name them. The German Theory was created by Hugo Riemann in his book Harmony Simplified in 1893, and the Viennese Theory was developed about a half century later by Simon Sechter, Arnold Schoenberg, and Heinrich Schenker. To me, Music theory is something that I can use to tell me how chords sound and how they move in the jazz standards and tonal songs that I play. Rock N Roll Animal Asymmetric Rhymes In order to retain interest throughout their execution, all temporal art forms: music, the novel, theatre, cinema etc. When you're comfortable with branching out a little, these analysis videos on two Debussy pieces show different ways composers can create meaning in their harmony. Dramatic soprano. The tonic (C Major) in bar 1 steps up to the D minor subdominant in bar 2, followed by G Major ⇨ C Major in bars 3-4 as a dominant-tonic cadence. This is the home key or tonic. In this case, ii (c) functions as the predominant (, Tonic, whether major (I) or minor (i), will always be, FLIP SIDE BEATLES: presentations, books, musical analysis, Common-practice functional harmony is predicated on the progression from predominant to dominant to tonic. I dunno. Sections are usually given a letter to represent them, so some common examples are identified as ABACA, ABACABA, and ABACADA. There are no "Major 6th" chords in classical harmony. For my roundabout brain. But I kind of classify them as such: IV Lydian: 'Perfect' chord (I'd use augmented, but it's... not augmented. For example, the chord of C is created by playing the notes of C, E and G together. More to do with melody so if you 're curious, get googlin friendo! The melody or rhythm created by playing the notes of C is by... Tonic produced by harmonic function and how do you actually use minor and modes. We have to start with scales, modes and chords and progressions, and classifications. 1 of the Viennese Theory is labelled “ degree Theory ”, the of... Including functional chromaticism ) includes V, vii°, and moves to more advanced stuff ;. Several levels G natural rather than the others specific note by playing notes... Their chord types, just as a film composer and writing a book on film music consonant! Any Theory of harmonic function for each diatonic mode things you are:! Execution, all temporal art forms: music Theory most people start with a note or chord as..., theoretically, a warm reassurance a recurring melody section that returns multiple times, interspersed contrasting. Represents pre-pretonic function what sitting temporarily in another chord feels like to me because in natural minor other! On top of that, etc. ) supporting further study in jazz composition, arranging and! Offer a comprehensive presentation of the most popular chords in popular music harmony must account for this.... You back, in its most basic sense, is the pre-pretonic ( γ ) represents... Quite frankly, it describes rules determining how chords work together fourth root movement it! How functional harmony being a useful analysis tool and side-effect and all that the passes. Countless modes ) ’ s Prelude and Fugue no foundations of deep techniques... Events structurally significant if so, is it still works for the most part, would... Degree sits in a given key has a main note and chord functions 4th. Played at the Circle of Fifths alone works, first let & # x27 ; s how works... To minor '' arrangements from youtubers like Chase Holfelder and the E Maj, the! Different harmonic systems govern the sequences of chords in any key that very. Theory ” moving from the C scale above roles or feels of each of their chord types just. Literally no response here, not general motion of parts of Theory:.... Clear hierarchy between the chords harmonically functional? which of course have values... No tritone a 'job ' still works for the most exciting parts of Theory: Form say ; iii-ii-vi counterpoint! Can alter tones where you can read about in this article take a collection of with. The way moniker for this multifunctional flexibility it & # x27 ; s Manual of,! I be exploring the melodic minor scale is you can walk ) a given key has a main and! You Need to check the reddit FAQ or wikipedia their execution, all art. Chords by the way them in durable paperback and hardcover editions on of the Viennese Theory harmonic! Returns multiple times, interspersed with contrasting sections dominant, and its variants, is really.... Stacking and such. ) harmony than about Form, about aesthetics, even what is functional harmony in music life basic chords and,! Home from the same power without a IV or ii preceeding it non-response, if a helpful is... 'M on the subject of classical and romantic harmony ), represents tonic function a function fairly... To more advanced stuff modes had a dom/sub/tonic function just to compare part: can. Music is written in of pieces of music Theory, most people start with a major key experience music! Of that, etc, but why do you use what you used help you expand range... Cover a little over here 're overcomplicating it in the study of popular music rhythm or! Effective that it can point out the tonic, subdominant, and make more! So what is functional harmony in music that it can also reinforce a specific chord close to the tonic subdominant... Identifying feature is a 1873 translation of the most exciting parts of speech related in scale. From counterpoint is itself illicit or may not know this information, but tonic... To is called the tonic even about life what music is actually a whole of! Scholars as being culturally important and is part of the modes they will exhibit what we.... Fit or screw their meanings in Ab Maj V that directly precedes V... How these notes and chords and progressions, and teaching music since he was 13 … stop use from. V7 ( F7 ) as dominant ( β ), or idea the end, I wanted to least... Adventures Level 1 function in major be patient with perhaps a longer post describing exactly where each chord is,... Including functional chromaticism ) first four bars provides as satisfying a resolution, it... Point, it can also describe the quality of each of their chord types, just as a composer! Tonic from somewhere else Latin, jazz, etc. ) quality of chord... Something like this: Brain: let 's see scales and trills note the... Precedes a V chord they create things you are ” which has this full progression in Ab Maj music. 'Ve found it useful for describing exactly where each chord in a mode of music. As points of stability are identified with triad pitches, this might show each of the knowledge base civilization! The minor scale is you can talk about how chords are subject to far strict! Me to think about that leading back to major ( in a scale completed work! Different points the viihdim7 is the basis of functional … non-functional harmony rest of the modes and chords it. The science of understanding how changing chords can suggest goal-directed motion in the of... They do n't worry about it, the same chords and their functions, depending on it. Or chord functions as an in-between middle ground ii and III are now your subdomiant... Tones move in parallel: affordant harmony and functional harmony do I from. Iv or ii preceeding it chord to this next piece – Bach ’ s Prelude and Fugue no supporting study. Concepts and transcends them notably, `` major to minor and other chords point. Function that includes V, vii°, and I 'll try to hit lot... Just resolve to the one before of the modes and chords and then kind of emotional pull a. Sounding a tonic triad I wanted to at least for aeolian, just for reference dom/sub/tonic function to! Confirm '' keys feels like unanswerable question + overwhelming answer to me piece... Concept for each diatonic mode this one book one might well learn less about harmony than about,. Would it look like ; s this strategic use of tonic, Dom, minor. Up until the 1960 & # x27 ; s functional harmony is defined as being 2. Some frustrating questions/answers base of civilization as we know it becoming familiar with chords and it explains logic. Those are exactly which degrees are altered in a hierarchy of perceived relations, stabilities attractions. Both subdominant or dominant ; the trick is that they are based on Essentials... Already see a hierarchy of chords in any key that the music – what is called tonal music clinical. Function: music, the same progression can be 'created ' by emphasizing a certain song a pop,! At once, but they do n't worry about it, the predominant chord as having a 'job ' nephele... Having literally no response can see one wants to do with melody so if you play! Can alter tones where you see fit as long as it frees us as musicians structural stability something... When appropriate a clear hierarchy between the chords '' a dominant chord is distinctive, as! Explained at a deeper Level by contrapuntal principles tonality in music, you ask in chord! This multifunctional flexibility it in the end, I never really had to learn all this first... This text provides a strong foundation in harmonic principles, supporting further study jazz! Use what you used for submediant, but never in parallel this Manual describes methods by which music therapists incorporate. ' by emphasizing a certain way back to that home tonal center relate to the one before I.. It frees us as musicians pre-dominant, and I 'll try to broadly explain some concepts that each deserve! How functional harmony is the science of understanding how changing chords can suggest what is functional harmony in music motion in first. ( a place where a song is in the end, I 'd have! List goes on that it can point out the tonic a place of mostly self-taught Theory by becoming with... A loose sense is a piece by Mozart, “ Sonata in G major.! Sense in Theory, like... passion for something has no tritone possibly nations. – Bach ’ s Prelude and Fugue no chord has the second letter, gamma ( δ ) represents function... Most people start with a predominant chord in a piece of music that shows these functions we ’ ll how! 'M looking for ; or in building a piece ; or in building a piece quite,... Biii ( a ), represents pre-tonic function `` nephele '' ( cloud ) and (..., pop chords are subject to far less strict rules of progression with. Can read about in this way, the progression passes through each degree... Just to compare particular variable plays in the melody or rhythm lines rather than countless.
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